BY WAY OF REPORT: Presented by the Royal Air Force A free man, Maxim returns home to see Manderley on fire, set ablaze by the deranged Mrs. Danvers. A self-conscious bride is tormented by the memory of her husband's dead first wife. However, Rebecca was not pregnant but had incurable cancer and had a motive to commit suicide, that of punishing Maxim from beyond the grave. It was Hitchcock's first American project, and his first film under contract with producer David O. Selznick. The screenplay by Robert E. Sherwood and Joan Harrison, and adaptation by Philip MacDonald and Michael Hogan, were based on the 1938 novel of the same name by Daphne du Maurier. Rebecca was theatrically released on April 12, 1940 to critical and commercial success. Rebecca: TV-Miniserie nach dem Roman von Daphne Du Maurier. At that moment, however, the alarm is raised because a sunken boat has been found with Rebecca's body in it. Was die Spannung und Finesse Hitchcocks später ausmachte, kann man hier zum Teil schon ein bisschen sehen. An inexperienced young woman meets aristocratic widower Maxim de Winter at the French Riviera and soon becomes the second Mrs. de Winter. "[10] Film Daily wrote: "Here is a picture that has the mark of quality in every department - production, direction, acting, writing and photography - and should have special appeal to femme fans. Sicherlich nicht sein bester Film. Maxim de Winter's first wife Rebecca, who died before the events of the film, is never seen. However, further investigation reveals that she was not pregnant but terminally ill due to cancer, so the suicide verdict stands. Die Rollen wurden sehr gut eingesetzt. She tries to please her husband by holding a costume party like he and Rebecca used to. Der Film gewann 1941 zwei Oscars. Der zweite gewann für den besten Film. MacDonald claimed that the film Rebecca was stolen from her novel Blind Windows, and sought an undisclosed amount of accounting and damages. Bereits 1940 verfilmte kein Geringerer als Alfred Hitchcock Daphne Du Mauriers 1938 erschienenen Schauerroman. The site's consensus describes it as "a masterpiece of haunting atmosphere, Gothic thrills, and gripping suspense". Aus Artes Hitchcock-Montagsreihe. Maxim realizes that Rebecca had been trying to goad him into killing her via indirect suicide so that Maxim would be ruined. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant.". The film stars Laurence Olivier as the brooding, aristocratic widower Maxim de Winter and Joan Fontaine as the young woman who becomes his second wife, with Judith Anderson, George Sanders and Gladys Cooper in supporting roles. The production credits on the film were as follows: Frank S. Nugent of The New York Times called it "an altogether brilliant film, haunting, suspenseful, handsome and handsomely played. All escape except Danvers, who dies when the ceiling collapses on her. Barnes fokussierte die Kamera sicherlich immer um den Plot, aber auch stetig, um die Schauspieler. The only thing known about her in the film is that she came to Manderley when Rebecca was a bride. Mit ihrer eiskalten Art, dominiert sie das geschehen. Mrs. de Winter confronts Danvers about this, but Danvers tells her she can never take Rebecca's place and almost persuades her to jump to her death from the second story window in Rebecca's room. Hitchcock later said that Selznick wanted the smoke from the burning Manderley to spell out a huge "R", which Hitchcock thought lacked subtlety. The Breen Office, Hollywood's censorship board, specifically prohibited any outright hint of a lesbian infatuation or relationship between Mrs. Danvers and Rebecca,[5]:70 though the film clearly does dwell on Danvers' obsessive memories of her late mistress. [16] In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant. Hitchcock edited the film "in camera" (shooting only what he wanted to see in the final film) to restrict the producer's power to re-edit the picture. It was Hitchcock's first American project, and his first film under contract with producer David O. Selznick. But when he takes her to his country estate, Manderly, all her confidence disappears, especially in the face of Maxim's dour and mysterious housekeeper, Mrs. … With Jeremy Brett, Joanna David, Anna Massey, Hugh Morton. [20], According to Kinematograph Weekly it was the most popular film of 1940 in Britain.[21]. The crisis causes the second Mrs. de Winter to shed her naïve ways as they both plan how to prove Maxim's innocence. Sir Laurence Olivier übernahm die Rolle des traumatisierten Reichen Mannes. Mein Fazit: Wer Hitchcock gerne mag oder überhaupt ein Fan der alten Filme ist, sollte diesen Thriller nicht verpasst haben !! [6] The complaint was dismissed on January 14, 1948[7] and the judgment can be read online.[8]. Darunter die beste Kamera von George Barnes. In the film, Mrs. Danvers is a much younger character (Judith Anderson would have been about 42 at the time of shooting), and her past is not revealed at all. Rebecca won two Academy Awards and was nominated for nine more:[22] It is the only film since 1936 (when awards for actors in supporting roles were first introduced) that, despite winning Best Picture, received no Academy Award for acting, directing or writing. The film is a gothic tale shot in black-and-white. The Hollywood Reporter reported in 1944 that Edwina Levin MacDonald sued Selznick, Daphne du Maurier, United Artists and Doubleday for plagiarism. At Selznick's insistence, the film faithfully adapts the plot of du Maurier's novel Rebecca. New York Times March 3, 1946: X3. [18], The film earned $3 million in US rentals[19] and $1 million in Britain on its initial release. "[11] Harrison's Reports declared: "A powerful psychological drama for adults. Hitchcocks wollte zuviel und verliert zum Ende hin einiges an Spannung. Although Selznick insisted that the film be faithful to the novel, Hitchcock did make some other changes, though not as many as he had made in a previously rejected screenplay, in which he altered virtually the entire story. When Maxim goes to the police, they suspect him of murder. [14] Rebecca won the Film Daily year-end poll of 546 critics nationwide naming the best films of 1940. Maxim now confesses to his new wife that his first marriage had been a sham from the start when Rebecca had declared that she had no intention of keeping to her vows but would pretend to be the perfect wife and hostess for the sake of appearances. [2] In the novel, Maxim shoots Rebecca, while in the film, he only thinks of killing her as she taunted him into believing that she was pregnant with another man's child, and her subsequent death is accidental. In the novel, Mrs. Danvers is something of a jealous mother figure, and her past is mentioned in the book. Maxim takes his new bride back to Manderley, his grand mansion by the sea in south-western England, dominated by its housekeeper Mrs. Danvers, a chilly individual who had been a close confidante of the first Mrs. De Winter—Rebecca—with whom she is clearly still obsessed. "[12] John Mosher of The New Yorker wrote that Hitchcock "labored hard to capture every tragic or ominous nuance, and presents a romance which is, I think, even more stirring than the novel. Genial, wie er den Geist der Rebecca immer über der Szene schweben lässt, die tosende Brandung des Meeres, der -so kann man schon beinahe sagen - Sarg Rebeccas, an die Felsen unterhalb von Manderley klatschen lässt und mit der beinahe wie ein Geist durch die Räume von Manderley wandelnden Mrs. Danvers eine unheimliche Figur einführt, die den kompletten Film mit einem schauderhaften Schleier umhüllt.


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